Granted, I only skimmed through the article, and overall I agree with, but that headline is a nonsensical statement. This coming from someone who pirates every movie and show that isn’t on Disney+. Whether you own, rent, or lend, you still had to pay for access to it. Piracy circumvents that. I don’t own the rental car. If I drove off with it, is that not stealing?
There are plenty of ways to justify piracy. There’s a few good reasons listed in the article. I do it because switching between a dozen streaming services is too inconvenient. But even putting morality aside, that headline is just plain dumb, it’s illogical.
Driving off with the rental car is a fine analogy if we were comparing this to not returning a DVD you rented.
But this is not that. And that is kind of the point.
Piracy is a breach of contract for sure. The point the author is trying to make is that our current licensing contracts around media are out of touch with the social contract (you pay for something, you get it).
Hence the moral hazard. So companies will flaunt the social contract (like in the case of Sony) with impunity but will get rightous as soon as people flaunt the legal contract. It’s a double standard, where all the power is in the hands of those with the biggest legal department.
You can’t define “theft” untill you first define justice. And if consumers and media holders can’t even agree to a just system, then why bother categorizing anything as theft at all?
Oh I agree with the article as I already stated in my previous comment, and I hope people read it, because my only argument really is that it has a poor headline. The headline says that taking media that you wouldn’t have owned isn’t piracy (which is nonsense), the article says that piracy is justified when ownership is as nebulous as it often is with a lot of digital media these days (which I agree with).
The headline says “you’re told that what you’re doing is buying by the people selling you the media, but that’s not what you’re actually doing. So, if they’re lying to you about what you’re buying, then pirating a different thing isn’t stealing the thing they are trying to sell you.”
It’s definitely tongue in cheek and has some hyperbole in it, but that is the gist of the statement.
then pirating a different thing isn’t stealing the thing they are trying to sell you.
Maybe not that version of the thing specifically, but it’s still stealing if they ultimately created it and you obtained it ignoring their conditions for sale.
Don’t get me wrong, you have a really good point. A lot of times the bootleg version of a good is better than the legal version because of the legal version’s tos and spyware enforcing them. I just don’t see how obtaining the bootleg isn’t piracy/stealing. There’s good justification for stealing it imo (as a pirate myself), but that’s all it is, justification. It’s still stealing.
So I guess I’m just being pedantic when I say I disagree with you, but realize I see where you’re coming from, and that we basically agree in spirit
The car goes away when you drive it off. Replacing the car would take power to run multiple assembly and formation machines, and resources for each part.
When you download a movie, it doesn’t go anywhere, you simply use a miniscule amount of power to make a copy.
No one has lost anything and the product is still available where it was. Copying is not theft. When you steal, you leave one less left.
How many lemmy commenters can make the same false equivalence analogy in one week?
I know, I know, I figured someone was going to bring this up, and personally that’s part of the reason I justify my own piracy (cause I’m broke and movie studios aren’t), but two things:
The cost of creating, copying, and distributing a good isn’t strictly relevant to the transaction of said good. If the original owner doesn’t want me to have access to a good without paying for it, and I take it anyway, that’s stealing. The labor and capital required to create, copy, and distribute that good isn’t relevant to that transaction, only my moral justification for stealing it anyway. Which is fine, imo, just be honest with yourself. You’re stealing, and it’s justified. Stick it to the man
Assuming that it is relevant, making digital media isn’t free. I can get away with piracy only because there’s enough people paying for the media to make it worth it for the studio. At least one other commenter pointed this out, but if everyone pirated, who would be making movies and video games? So to keep the system going, imo, only pirate if you weren’t going to buy it anyway - piracy or nothin.
If everyone who would buy a digital product pirates it instead, then it’s clear that they have been harmed by the piracy. This whole “own” vs “rent” vs etc argument is completely tangental as is the definition of “steal”, unless pedantry is the purpose of this post. It’s clear that piracy can be harmful.
“But they lost nothing physical” is an extremely shallow argument that ignores that not everything with value is physical. If I copy your idea as-is and make a product out of it before you, you can always come up with new ideas, right? It’s not like you lost something physical. Clearly you haven’t been harmed, right?
If someone who wouldn’t purchase a digital product pirates it, then it’s less obvious whether the creator got harmed by it. Also, to be clear, the discussion over digital ownership is still important.
It’s got nothing to do with whether it’s physical. Cars are different from movies because the movie can be reproduced infinitely without resource cost (or, very minimal). If you steal a rental car, they have to buy a new one. If you pirate a movie, they haven’t lost anything.
If you pirate a movie, they haven’t lost anything.
Surely the sale of that copy of the movie has value? Otherwise if everyone pirates the movie, then they lose nothing and have no incentive to enforce that people purchase it before watching it.
There are a lot of ways to justify pirating digital content. Pretending as though digital content has no value is not one of them, unless you really and truly believe that creators of digital content deserve no compensation.
First off, I was specifically addressing your concern about the car & it’s physicality. Value of physical objects is directly related to the scarcity of the resources; digital content pricing is skeuomorphic (sp?) at best and absolute bullshit at worst.
Surely the sale of that copy of the movie has value
Secondly (and thirdly in a sec), this is the fundamental misapprehension that surrounds piracy. Each instance of piracy does not mean one lost sale. In terms of music (I read a study about music piracy a few years ago), this is rarely the case, and in fact, it was the opposite: the study found that the albums that were pirated more resulted in more sales, since the album’s reach was extended.
Thirdly, one of the core issues with the entertainment industry at the moment is that the streaming services have no way to gauge the draw of a specific show, movie, or song, since subscribers just don’t approach their subscription that way - you don’t subscribe to Spotify because your want to hear Virtual Cold by Polvo; you subscribe because you want to have access to their entire collection, as well as all the other awesome 90s noise/math rock - even though, let’s be honest, you really just listen to Virtual Cold over and over.
As a result of this clusterfuck, streaming services can’t correctly apportion payment to their content - they do an elaborate split of the profits. So - the best way for the “content providers” (ie copyright holders) to increase profits is to reduce the amount of content on the streaming service - so the profits are spread over fewer titles.
This is massively hurting the production companies - please note none of these fuckers are getting any sympathy from me, this is just an explanation - they’re having a hard time finding a balance between how much they can spend given that half of their productions’ profits are pennies. (Oops, forgot one element: because of streaming tech, no one buys films in tape or DVD or whatever - which was half of a film’s profit.) Do they make a bunch of huge budget action movie sequels that fill the theater seats? Or do they make smaller-budget films with smaller profit margins?
It’s a shitty situation, and I don’t know what the answer is - but I know that the answer isn’t whatever the fuck this is. And, until they figure their shit out, I’m just going to step outside the market for a bit.
I’m not living in some dream world where piracy doesn’t reduce profits. I know that the underground bands that I like are usually supportive of piracy because it helps them more than it hurts - and when it comes to film and TV, when those companies complain about piracy , it’s just like those bullshit shoplifting claims - attempts to turn their “line not go up” on poor people. Piracy is a grain of sand in the Sahara - they have way bigger problems than that - though I do think increased piracy metrics might help encourage them in the right direction.
Anyway, if you got this far, I appreciate your time.
To be clear, I’m not against piracy as a whole, but at its core if a potential buyer pirates something, then that is an opportunistic loss, and thus there exists a value to what was pirated (or rather the sale of it).
digital content pricing is skeuomorphic (sp?) at best and absolute bullshit at worst.
There are a number of ways to price digital content. You could price it based on cost of production split among an estimated number of sales plus a premium, or based on what others in the industry price it at. Regardless, to the creator of that digital content, each sale of that content has value, and while the copy itself might not, the transaction does.
Each instance of piracy does not mean one lost sale.
I “demoed” Minecraft before buying it, and you can bet I recommended it to others as well. There are plenty of instances where piracy can be a good thing, however I was never trying to state otherwise. In my original response, I had called out that piracy by people who would not otherwise purchase a product was less clear. There are also people who “pirate” content they’ve already purchased, and those who pirate like I did to demo a product before buying it later. In your case, you also have a justification for it when it comes to music. However, the point was that piracy can be harmful (as is shown by my extreme example of everyone pirating something), and therefore the sale of the content being pirated has value. They aren’t charging just because they feel like it, they’re charging because they’re selling a product, and the product had a cost to produce, even if it was mostly just an initial cost.
The debate around digital product ownership is an important one, and if you’re voting with your wallet by pirating the content, then by all means I won’t stop you. However, the idea that you aren’t “stealing” because you pirated digital content rather than purchasing a license to it is a distraction from the real problems of digital ownership that the article covers extremely well, most of which stem from lack of control over your copy of the product. Using piracy to try to effect change makes sense, but only because that piracy can harm the creators/distributors. If it didn’t harm them, then they wouldn’t care about the piracy and wouldn’t be interested in changing.
Anyway, if you got this far, I appreciate your time.
So by that logic, if I were to hack your computer, copy the data, and put sell it to some group for them to use, would that be theft. You still have your data, you haven’t lost anything directly, and while the group I sold it to may use a saved credit card or password to harm you I didn’t, so would what I did be considered theft?
Similarly, if I just sold the information gained by it to advertisers, marketers, your friendly neighborhood stalker, etc… Would that have been theft? You weren’t harmed, the demonstrably valuable information was just taken without your consent and given to a third party that wanted it.
I just wrote like a 10 page response to another comment on that same post I made so I don’t think I have the energy to go too deep on this - so, to keep it short:
I was just rebutting that person’s claim that a car and a digital object have the same relationship to value, and they don’t; physicality requires resources that “digitality” doesn’t.
I feel like you might’ve agreed with me in the second part? Or, if not, I think you managed to destabilize the entire data economy in like 2 sentences, so, fuck yeah.
Granted, I only skimmed through the article, and overall I agree with, but that headline is a nonsensical statement. This coming from someone who pirates every movie and show that isn’t on Disney+. Whether you own, rent, or lend, you still had to pay for access to it. Piracy circumvents that. I don’t own the rental car. If I drove off with it, is that not stealing?
There are plenty of ways to justify piracy. There’s a few good reasons listed in the article. I do it because switching between a dozen streaming services is too inconvenient. But even putting morality aside, that headline is just plain dumb, it’s illogical.
Edited in case this came on too harsh
Driving off with the rental car is a fine analogy if we were comparing this to not returning a DVD you rented.
But this is not that. And that is kind of the point.
Piracy is a breach of contract for sure. The point the author is trying to make is that our current licensing contracts around media are out of touch with the social contract (you pay for something, you get it).
Hence the moral hazard. So companies will flaunt the social contract (like in the case of Sony) with impunity but will get rightous as soon as people flaunt the legal contract. It’s a double standard, where all the power is in the hands of those with the biggest legal department.
You can’t define “theft” untill you first define justice. And if consumers and media holders can’t even agree to a just system, then why bother categorizing anything as theft at all?
Oh I agree with the article as I already stated in my previous comment, and I hope people read it, because my only argument really is that it has a poor headline. The headline says that taking media that you wouldn’t have owned isn’t piracy (which is nonsense), the article says that piracy is justified when ownership is as nebulous as it often is with a lot of digital media these days (which I agree with).
No no, that is not what the headline says.
The headline says “you’re told that what you’re doing is buying by the people selling you the media, but that’s not what you’re actually doing. So, if they’re lying to you about what you’re buying, then pirating a different thing isn’t stealing the thing they are trying to sell you.”
It’s definitely tongue in cheek and has some hyperbole in it, but that is the gist of the statement.
Maybe not that version of the thing specifically, but it’s still stealing if they ultimately created it and you obtained it ignoring their conditions for sale.
Don’t get me wrong, you have a really good point. A lot of times the bootleg version of a good is better than the legal version because of the legal version’s tos and spyware enforcing them. I just don’t see how obtaining the bootleg isn’t piracy/stealing. There’s good justification for stealing it imo (as a pirate myself), but that’s all it is, justification. It’s still stealing.
So I guess I’m just being pedantic when I say I disagree with you, but realize I see where you’re coming from, and that we basically agree in spirit
I get ya. I think there’s also a petulant sentiment of “you don’t want to play fair? Then fuck you, I won’t either”
The car goes away when you drive it off. Replacing the car would take power to run multiple assembly and formation machines, and resources for each part.
When you download a movie, it doesn’t go anywhere, you simply use a miniscule amount of power to make a copy.
No one has lost anything and the product is still available where it was. Copying is not theft. When you steal, you leave one less left.
How many lemmy commenters can make the same false equivalence analogy in one week?
I know, I know, I figured someone was going to bring this up, and personally that’s part of the reason I justify my own piracy (cause I’m broke and movie studios aren’t), but two things:
The cost of creating, copying, and distributing a good isn’t strictly relevant to the transaction of said good. If the original owner doesn’t want me to have access to a good without paying for it, and I take it anyway, that’s stealing. The labor and capital required to create, copy, and distribute that good isn’t relevant to that transaction, only my moral justification for stealing it anyway. Which is fine, imo, just be honest with yourself. You’re stealing, and it’s justified. Stick it to the man
Assuming that it is relevant, making digital media isn’t free. I can get away with piracy only because there’s enough people paying for the media to make it worth it for the studio. At least one other commenter pointed this out, but if everyone pirated, who would be making movies and video games? So to keep the system going, imo, only pirate if you weren’t going to buy it anyway - piracy or nothin.
If everyone who would buy a digital product pirates it instead, then it’s clear that they have been harmed by the piracy. This whole “own” vs “rent” vs etc argument is completely tangental as is the definition of “steal”, unless pedantry is the purpose of this post. It’s clear that piracy can be harmful.
“But they lost nothing physical” is an extremely shallow argument that ignores that not everything with value is physical. If I copy your idea as-is and make a product out of it before you, you can always come up with new ideas, right? It’s not like you lost something physical. Clearly you haven’t been harmed, right?
If someone who wouldn’t purchase a digital product pirates it, then it’s less obvious whether the creator got harmed by it. Also, to be clear, the discussion over digital ownership is still important.
It’s got nothing to do with whether it’s physical. Cars are different from movies because the movie can be reproduced infinitely without resource cost (or, very minimal). If you steal a rental car, they have to buy a new one. If you pirate a movie, they haven’t lost anything.
Surely the sale of that copy of the movie has value? Otherwise if everyone pirates the movie, then they lose nothing and have no incentive to enforce that people purchase it before watching it.
There are a lot of ways to justify pirating digital content. Pretending as though digital content has no value is not one of them, unless you really and truly believe that creators of digital content deserve no compensation.
First off, I was specifically addressing your concern about the car & it’s physicality. Value of physical objects is directly related to the scarcity of the resources; digital content pricing is skeuomorphic (sp?) at best and absolute bullshit at worst.
Secondly (and thirdly in a sec), this is the fundamental misapprehension that surrounds piracy. Each instance of piracy does not mean one lost sale. In terms of music (I read a study about music piracy a few years ago), this is rarely the case, and in fact, it was the opposite: the study found that the albums that were pirated more resulted in more sales, since the album’s reach was extended.
Thirdly, one of the core issues with the entertainment industry at the moment is that the streaming services have no way to gauge the draw of a specific show, movie, or song, since subscribers just don’t approach their subscription that way - you don’t subscribe to Spotify because your want to hear Virtual Cold by Polvo; you subscribe because you want to have access to their entire collection, as well as all the other awesome 90s noise/math rock - even though, let’s be honest, you really just listen to Virtual Cold over and over.
As a result of this clusterfuck, streaming services can’t correctly apportion payment to their content - they do an elaborate split of the profits. So - the best way for the “content providers” (ie copyright holders) to increase profits is to reduce the amount of content on the streaming service - so the profits are spread over fewer titles.
This is massively hurting the production companies - please note none of these fuckers are getting any sympathy from me, this is just an explanation - they’re having a hard time finding a balance between how much they can spend given that half of their productions’ profits are pennies. (Oops, forgot one element: because of streaming tech, no one buys films in tape or DVD or whatever - which was half of a film’s profit.) Do they make a bunch of huge budget action movie sequels that fill the theater seats? Or do they make smaller-budget films with smaller profit margins?
It’s a shitty situation, and I don’t know what the answer is - but I know that the answer isn’t whatever the fuck this is. And, until they figure their shit out, I’m just going to step outside the market for a bit.
I’m not living in some dream world where piracy doesn’t reduce profits. I know that the underground bands that I like are usually supportive of piracy because it helps them more than it hurts - and when it comes to film and TV, when those companies complain about piracy , it’s just like those bullshit shoplifting claims - attempts to turn their “line not go up” on poor people. Piracy is a grain of sand in the Sahara - they have way bigger problems than that - though I do think increased piracy metrics might help encourage them in the right direction.
Anyway, if you got this far, I appreciate your time.
To be clear, I’m not against piracy as a whole, but at its core if a potential buyer pirates something, then that is an opportunistic loss, and thus there exists a value to what was pirated (or rather the sale of it).
There are a number of ways to price digital content. You could price it based on cost of production split among an estimated number of sales plus a premium, or based on what others in the industry price it at. Regardless, to the creator of that digital content, each sale of that content has value, and while the copy itself might not, the transaction does.
I “demoed” Minecraft before buying it, and you can bet I recommended it to others as well. There are plenty of instances where piracy can be a good thing, however I was never trying to state otherwise. In my original response, I had called out that piracy by people who would not otherwise purchase a product was less clear. There are also people who “pirate” content they’ve already purchased, and those who pirate like I did to demo a product before buying it later. In your case, you also have a justification for it when it comes to music. However, the point was that piracy can be harmful (as is shown by my extreme example of everyone pirating something), and therefore the sale of the content being pirated has value. They aren’t charging just because they feel like it, they’re charging because they’re selling a product, and the product had a cost to produce, even if it was mostly just an initial cost.
The debate around digital product ownership is an important one, and if you’re voting with your wallet by pirating the content, then by all means I won’t stop you. However, the idea that you aren’t “stealing” because you pirated digital content rather than purchasing a license to it is a distraction from the real problems of digital ownership that the article covers extremely well, most of which stem from lack of control over your copy of the product. Using piracy to try to effect change makes sense, but only because that piracy can harm the creators/distributors. If it didn’t harm them, then they wouldn’t care about the piracy and wouldn’t be interested in changing.
Ditto.
So by that logic, if I were to hack your computer, copy the data, and put sell it to some group for them to use, would that be theft. You still have your data, you haven’t lost anything directly, and while the group I sold it to may use a saved credit card or password to harm you I didn’t, so would what I did be considered theft?
Similarly, if I just sold the information gained by it to advertisers, marketers, your friendly neighborhood stalker, etc… Would that have been theft? You weren’t harmed, the demonstrably valuable information was just taken without your consent and given to a third party that wanted it.
I just wrote like a 10 page response to another comment on that same post I made so I don’t think I have the energy to go too deep on this - so, to keep it short:
I was just rebutting that person’s claim that a car and a digital object have the same relationship to value, and they don’t; physicality requires resources that “digitality” doesn’t.
I feel like you might’ve agreed with me in the second part? Or, if not, I think you managed to destabilize the entire data economy in like 2 sentences, so, fuck yeah.