The most famous forms of Holocaust denial and revisionism tend to focus on Jews, casting doubt, for example, on how many were exterminated in the camps. But denying the impact the Nazis had on the other groups they targeted, including queer and trans people, disabled people and Romani people, is still Holocaust denial. Maybe someone should tell J.K. Rowling.
I can’t listen to many bands I used to listen because their members turned out to be really shitty people.
I mean, if I have to hone my skills at slap.bass in a rock context, Flea is my go-to choice, but Anthony Kiedis boasted about having sex with an underage girl and regularly dates girls 40 years younger than him, that soured the whole RHCP thing for me.
In short, my ethical and moral principles are worth more than aesthetic enjoyment.
Ethics are interesting because you can ignore them. It’s like, ethics exist within you regardless of whether you agree to them; if you don’t listen to that little voice, it gets easier and easier to ignore it. To put that in practical terms: murdering someone is pretty ethically difficult. Murdering a second time is less ethically difficult. It’s like we build a climate around ourselves; the more you listen to your ethical beliefs, the more repugnant the idea of ignoring them becomes.
That said, I’m not sure I’m on board with you on RHCP – but that’s maybe just me. I used to listen to them a lot in jr high (I’m old) when blood sugar sex magic had just come out. And while your opinion is totally valid, for me, like, I never thought he was much of an ethical role model. His lyrics are pretty misogynistic. (And, not great regardless, from a “objective artistic/poetic” perspective.) So like yeah he’s not a great person, but he never pretended to be, so to find out he isn’t doesn’t change much.
(As opposed to, say, Jowling Kowling Rowling, who used to talk about hating bigotry, but then turned out to be a super terrible bigot.)
Flea, on the other hand – I’ve never looked into him. I’m also a bassist and his influence on my bass education is so deep that I’m afraid to find out if he’s toxic lol. But he’s been in a band with Anthony Keidis for like 40 years, so, he’s probably not perfect.
(I’m not a slap or funk bassist, but what I learned from Flea was how to feel it. You can’t play Flea’s bass lines mechanically, they literally don’t sound correct; you have to feel the vibe, the groove has to move your fingers, not the time signature. That dude, ffs I hope he’s not an asshole, because he’s fucking incredible.)
Though IDK – after long careers together, from what I understand, people tend to see each other less.
For example, after the whole Me Too thing started, I heard an interview with Bob Weinstein, Harvey’s brother, the two of them started Miramax together and were basically partners. But he knew his brother was a piece of shit, and, at that time a few years ago, hadn’t actually spoken to him in “many years.” He didn’t dwell on the topic, he just said that, basically, and his tone was like, obviously disgusted, but he didn’t want to spend the time talking about that, so he didn’t.
He wasn’t exactly going to snitch his own brother into prison, and that’s asking a bit too much imo, but it shows ethical strength to not slip into that same kind of toxicity, especially when it’s so close to you, and probably so easy.