I’ll be a contrarian and throw in my vote for the second game - it’s rushed and flawed and the asset reuse is blatant to the point of being legendary, but the setting and story are the best and most original of these 3 games. Just being a hero of one single city instead of the entire world is surprisingly refreshing.

In general I’d say that 1 has the best combat/tone, 2 has the best setting/story, 3 has the best characters. I’ve heard that 3 can be quite enjoyable if you pretty much only do the main story and companion quests - but I wouldn’t know, I’m one of the poor fools who got stuck in the Hinterlands, and that mistake + the very underwhelming main story sapped my will to continue playing.

Way less gross. Human and centaur are both intelligent, can communicate, and give consent, so it would be fine. With a horse (which has none of these things) the centaur would be committing bestiality.

…wait, you just throw socks onto the pile without putting matching pairs together beforehand? I’ve learned that an alternate universe exists, and I’m not okay with it.

Maybe Palimpsest by Catherynne M. Valente? Her Orphan’s Tales have some interesting cities too, but that’s a bit of a stretch.

Again, not just one city, but take a look at Invisible Cities by Italo Calvino - it was a direct inspiration for Fallen London.

China Miéville might be worth checking out - go for either the City and the City or for Perdido Street Station.