Disclosure: I do street photography on Fuji Instax color and monochrome, B&W film, and color and B&W edited digital. My username is accurate, I have low vision.

What we now call street photography - that many of us do as a hobby or with a focus on art - came from journalism and documentary photography, right? The Leica and black and white workflow was good for professionals documenting current events.

As photographic technology progressed, photojournalism moved to color film, then to digital as those became more appropriate for the workflow and for the reader.

In general broad strokes, photojournalists have been capturing current events with the technology of their time, therefore they’ve been representing their times with the look that technology brings. If the early 1900s happened in black and white, and so much of the rest of the century happened in Kodachrome, the 21st century is happening in whatever “color science” means. Sharp lens - lacking in character? - and balanced - realistic? - colors.

With all that context, when we use film simulations, edit in black and white or - gasp! - shoot on film, are we documenting our own time or are we bound to nostalgia? Magnum Photos was all about the most effective technology to capture the moment, not charcoal sketches. Are we effectively capturing the spirit and visual aesthetics of the 2020s or are confusing future historians? Or… are we just really enjoying ourselves and creating art, while we leave the documentation to people using their smartphones and PJs?

What are your thoughts? I’d love to hear from hobbyists and pros alike. Are you editing for a nostalgic feel or focusing on focusing on sharp realism? Both? Why and when? And how do you feel about others’ work? Do you miss a more current look in street and documentary photography?

  • MostlyBlindGamerOPA
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    8 days ago

    Very interesting. Yeah, the K1000 and friends are great for the fundamentals, developing and printing is as important to learn as cursive or touch typing.

    Do pros recommend film for anything apart from learning or the vibes though? Yeah, I’ll only get a frame or two with my Pentax, but I could get 30 plus with the R10, let alone an a9. Aren’t these better tools of the trade?

    I don’t think I’ve ever seen a photojournalist or a corporate photographer doing anything but digital, and I only see wedding photographers doing stylistic editing. Even that is actually going into staged photos, so documentary work seems to be very realistic.

    • mmhmm@lemmy.ml
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      8 days ago

      IMO once you get the fundamentals and feel film is for art and expression. You’d be mad not to use digital for work or volume. Film doesn’t scale vertically or horizontally without mad cash and skills