![People act like musicians standing up for what they believe in is anything new. #FreePalestine [Slyngstad]](https://lemmy.world/pictrs/image/229b1cbc-f82b-471f-a5b1-7aae0efb6aec.png){kind=link}
Slyngstad | Bluesky
Transcript
A three-panel political comic by Slyngstad highlighting the long history of political activism in music. In the foreground of all three panels, two audience members are seen talking in profile.
Panel 1:
On Stage: A modern musician holding a microphone calls out, “FREE PALESTINE!”
Foreground: One audience member complains, “UGH, WHEN DID MUSICIANS START TO BE SO POLITICAL?”
Panel 2:
On Stage: Freddie Mercury performing at the 1985 Live Aid benefit concert, with the “Live Aid” global logo in the background.
Foreground: The second audience member replies, “START?”
Panel 3:
On Stage: Folk singer Woody Guthrie playing an acoustic guitar with his iconic slogan written across it: “THIS MACHINE KILLS FASCISTS”.
Foreground: The second audience member continues, “MAYBE YOU JUST WEREN’T LISTENING.”
Agreed about They don’t really care about us, but Man in the Mirror is more personal. Black or White has a certain political slant, and Earth Song has a very direct message.
Let’s look at some other musicians who might have a claim to “most famous ever”: Elvis was not really political - if anything he was pro-establishment.
Mozart and Beethoven however were very political. Beethoven scratched out the dedication to Napoleon in the Eroica when Napoleon made himself an emperor. Previously Beethoven had been a major supporter of Napoleon because he was pushing enlightenment ideals. Mozart was less directly political, but The Marriage of Figaro was very subversive at the time (which I know from the movie Amadeus, but apparently that checks out).
The Beatles didn’t start out political, but they became more so over time.