Seriously, are the zombies too stupid to find the brain? Are they too weak to crack open the skull?

Asking for a friend…

  • Nibodhika@lemmy.world
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    8 months ago

    Not OP, but I get your comparison since Land of the dead goes into something similar with zombies remembering stuff. That being said (in case you didn’t knew) Land of the Dead is not a standalone movie, and is in fact from the original non-voodoo zombie movie universe. A lot of the criticism I see towards Land of the Dead comes from people who watched the movie in isolation and complain about it never explaining zombies and why they can do things, but that’s almost like watching Matrix 3 and complaining they never explained the Matrix.

    If you like that concept it’s gradually built in the series, so other movies feature it in one way or another. The original Night of the Living Dead introduced the concept of zombies; The sequel Dawn of the Dead already painted a picture where zombies brains remember something, since it’s pointed out they go to the shopping mall and drag carts around because that’s what they did when living; Day of the Dead is entirely focused on a research project on zombie behaviour, with a scientist doing experiments to see how much zombies still remember; then finally you get to Land of the Dead.

    Sorry I went out on a rant about it, but I love those movies, they’re not only great horror movies that defined an entire genre but also are very strong criticism to society and humans in general which I think a lot of other zombie movies miss entirely.

    • MamboGator@lemmy.world
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      8 months ago

      Yeah, it wasn’t made very obvious that it was a sequel to Night of the Living Dead unless you knew the behind-the-scenes stuff. Even for those who were aware, like myself, the first “… of the Dead” movie I saw was the remake of “Dawn” and that is too different from the original series to be comparable. I went into Land of the Dead expecting something similar to the remake but it was really jarring and hurt my first impression of the film. I was expecting gritty realism but instead got Romero’s classic social commentary and subtle goofiness. I’ve since come to appreciate both.